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Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich (1693)

Pozzo, Andrea · J Senex and R Gosling · leaf 166

An illustration from Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich, 1693, leaf 166
UPERSEDERE poteram delineationealterius medietatis <edificii nqftri, verumopera non peperci, ut oflenderem diverjita^tem luminum & umbrarum, qu£ conveniuni partibus caterhqui omninojimilibusk The Forty-fixth FIGURE. The other Half of the fame De/tm. Might very well have omitted this Half… … FIG U R A Quadragefimafeptima. Veftigia ^dificii IO NIC I. ESTlGIUMgeometricum A adificii Ionici,fubfe habet fuam deformationem B. Hacautem ut evadat difiinSlior, lineam plani,qua in fequentibus figuris habebit diftantiamPE abhorizontal! OE, deorfumprotraximusin CD, ut etiarn fecimus figurd…

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More pictures from Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich

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