Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich (1693)
Pozzo, Andrea · J Senex and R Gosling · leaf 203
e whole Work, by takingthe Heights of the feveral Members from• the Elevation, and their Breadths andLengths from the Plans; all which is very plain, uponInfpe&ion of the Figure. IBf* ^Hs&H jijp|jl3 IfiipBSr^ SB \f Kg?*?. =j\fia^^^ [_ *s»kflIVj./ -: -~ .***^l FIG U R A Quinquagefimaodava.… … The Fifty-eighth FIGURE. Part of an Octangular Work of theCORINTHIAN Order. IT HER TO the neareft Left-handQuarter of this Corinthian Defign hasbeen defcribd. In this Plate you havethe Right-hand Half of the whole Work;and in the Sixtieth Figure, the entire
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