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Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich (1693)

Pozzo, Andrea · J Senex and R Gosling · leaf 208

An illustration from Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich, 1693, leaf 208
inquagefiinanona. Veftigia Tabernaculi oftangularis. ROJECTIONES reriim 08angular urnfunt quadrat is difficiliores : ideb in eis expli-candis diligentU nonpepercu Moles, cujusveftigia vides in A £f B, convenit in multis■3 cum ea quam ereximus figura quinquagejima-Ottawa* Vifudlis CD recipit… … The Fifty-ninth FIGURE. The Plans of an OBangular Tabernacle. CTANGULAR Figures bein.2; moredifficult to be put in Perfpe&ive, than theSquare; I fhall ufe my beft Endeavoursto render the Me hod as plain as poffible.The Compofition whofe Plans yen fee inA and B, has much Affinity with that…

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More pictures from Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich

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