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Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich (1693)

Pozzo, Andrea · J Senex and R Gosling · leaf 233

An illustration from Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich, 1693, leaf 233
FIG U R A Sexageiirnao£tava. Elevatio geometrica veftigii prsecedentis, & fecunda prse-paratio ad figuram feptuagefimamprimam. N hoc fchemate habes elevationem tfdijiciife-Bam in longi/m, quam figurd feptuagejimd o-pticeprojiciemus: eifdemque membrisconfiarevidebis elevationem deformatam,… … The Sixty-eighth FIGURE. The Geometrical Elevation of the foregoing Plan, andfecondPreparation to the Seventy-firfi Figure. N this Figure you have the Elevation ofthe aforefaid Structure differed length-wife ; thePerfpe&ive thereof is defcribdin the Seventieth Figure ; and you mayobferve that…

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More pictures from Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich

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