Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich (1693)
Pozzo, Andrea · J Senex and R Gosling · leaf 239
FIGURA SEPTUAGESIMA. Deformatio elevationis figure fexagefimsec&avse, & prse-paratio quarta ad fi^uram feptuagefimam primam. U^E diSlafunt de projeSlione vefligii nojiritfdificii, habent locum in elevationei nimi-rum, ut parallels invicem notabtliter difta-rent, ufifumus induflria quam… … The Seventieth FIGURE. The PerfpeSlive of the Elevation of the Sixty-eighth Figure,and the fourth Preparation to the Seventy firB Figure. HAT has been faid of the Perfpe&ive-Plan cf this Structure, is alfo here pra-&isd in the Elevation ; namely, that theParallels might be fufficiently…
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