Spanish architecture of the sixteenth century; general view of the plateresque and Herrera styles (1917)
Byne, Arthur, 1883-1935, Byne, Mildred Stapley, 1875-1941 · New York, London : G. P. Putnam's sons · leaf 214
o Q < <> Pioo a < 183 ISOLATED WORK IN CASTILE AND ESTREMADURA 185 carved, but because it offered the best ground for theappHcation of color, and without color sculpture could notbe Spanish. Spain, except for the brief sway of Fancelliand Ordonez, had remained faithful to polychrome and… … FiG. 59—Pulpit with Alternating Mudejar and RenaissancePanels, Amusco, near Palencia. tinued to do so even after sculpture was dead in the rest ofEurope; Zalzillo of Murcia, one of the most renowned poly-chromists, lived in the eighteenth century. To the devoutSpanish soul monochrome saints could…
Architecture
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