ue colour-engraving a couple othundred years ago, and it was the principle andpractice of the French colour-engravers of theeighteenth century. Their method of printingfrom a number of super-imposed aquatint plates,generally with outlines of soft-ground etching, is infact the same practically as… … THE GATEWAY OF THE HOCSE OF RABELAIS, CHINOX. BY E. 1. LAWRENSOK The Colour-Prints of E. L. Lawrenson
Art · Decoration and ornament
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
