The table book of art; a history of art in all countries and ages (1880)
Sandhurst, Phillip T · N.Y., Worthington · leaf 122
s models for study, they are yet of real use when placednear the works of classic masters, because they serve as examples of the most dan-gerous of all faults, those which are agreeable or fashionable, in contrast with severe,solid, and eternal beauties. The taste becomes formed by discriminating… … \ . CHAPTER X. RUBENS—REMBRANDT—TEN IE RS, FATHER AND SON— IV OUVVERMAN— CUVP— PAUL PO TTER —CORNELIUS DE HEIM, &c.
Painting -- History
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