Tapestries, their origin, history and renaissance (1912)
Hunter, George Leland, 1867-1927 · New York, John Lane company; · leaf 332
ularly that in his efforts to obtain semblanceof reality and relief the artist did not hesitate touse shadow columns inside both the round columns,thus representing the light as coming from bothoutsides, and the point of view as in front in themiddle. What my illustration merely indicates is… … BOSCOREALE FRESCO PLATE no. 315. Panel from the Boscoreale Frescoes at the Metropolitan Museum, introduced toshow the ancient Roman method of forcing painted columns forward into apparent relief by the use ofsquare shadow columns behind them. It was the imitation of ancient Roman paintings heavily…
Tapestry
Internet Archive · Brigham Young University · Public Domain Mark 1.0. Free to use for anything.
