The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 116
sentiment to be conveyed, is avoided, In practice, it will benecessary to study chiaroscuro in two parts: first, the simple and naturallight and shade appertaining to every opaque body when seen by a stronglight ; then, the general arrangement of all the lights and darks, whetherthey are the result… … sun or some strong concentrated light, and observing how clear and distinctthis separation is; the parts not opposed to the light are in shade, but 94 LANDS* APE-PAINTIXI J. if another body come between the object and the illuminating power, thepart deprived of light will then be in shadow. Shadows…
Landscape painting · Watercolor painting
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