The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 118
nts are placed in opposition toothers of different power, cither lighter or darker, they appear darker orlighter by contrast; and this to such an extent, that in an instance wherethe shadow of a projecting board was thrown of six different degrees ofstrength, from six burners placed on a wall, the… … Fig. 4. Fig. 5. a faint tint, they increase gradually to anextreme depth, and then decrease again,great variety of tone is obtained, remind-ing us of the increase and diminution of Figs. 2 and 3. sound. By taking as a ground for these tints some middle tint of a neutraltone, and merely indicating…
Landscape painting · Watercolor painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
