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The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)

Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 121

An illustration from The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts, 1871, leaf 121
rally known as chiaroscuro; this generalarrangement or selection being regarded as something depending on taste, and impossible to be ac-quired from another. Butthis is evidently a mis-2 taken idea; for whateverhas been learned by care-ful study from nature andthe works of the greatmasters can be… … LIGHT AND SHADE, OR CHIAROSCURO. 99 care those circumstances and effects best adapted to charm the eye. Onceunderstood, they will become firm data on which to found our system ofart. Great difficulty is experienced by some students in comprehendingthe difference between the representations of…

Landscape painting · Watercolor painting

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