The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 123
Fig. 12. may frequently be found inclose proximity to the mostbrilliant light, thus creatinga most attractive point inthe picture. (Vide Fig. 13.)This must not, however,be followed too closely,as occasionally it will bequite sufficient to contrastthe greatest mass of light LIGHT AND SHADE, OR…
Landscape painting · Watercolor painting
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