The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 124
into a large mass of light, having a wedge-like form ofshadow projecting into it from either side. Such effect is indicated inFigs. 14 and 18. It may be remarked, that the converging lines of thewedge will greatly assist in directing attention to the point of interest; andit would be well to…
Landscape painting · Watercolor painting
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