The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 125
rtsof the subject which are out of the focus of the eye attractive either withlight or dark, but to assign them such a middle tint as may suffice to givesolidity, and to bring out the other parts of the picture. Cast shadows, whether of individual objects in the picture, as in Fig. 16,or of more… … LIGHT AND SHADE, OR CHIAROSCURO. 103
Landscape painting · Watercolor painting
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