The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 127
resented with greater breadth; the sun being low,shadows are more prolonged, and, by passing from one object to anotherserves to connect those which, from their situation, would otherwise beseparated. While aiming at this desirable quality,—breadth,—the student, in classifyingthe objects,… … LIGHT AND SHADE, OR CHIAROSCURO. 105 blue; the middle distance by a deep warm grey, composed of the sky andforeground tints; and the foreground by a rich warm colour. In this waythe general effect being gained at the expense of the smaller and lessimportant lights and shades, great breadth is the…
Landscape painting · Watercolor painting
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