The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 129
the light of the sky; a mode oftreatment particularly desirable when the objects are not of sufficient sizeor interest to catch the eye, as in Fig. 22. In Fig. 21, the cottages aremade the objects ofthe greatest interest,which is increased byfigures, baskets, nets,and boats, relieved bytheir strong… … LIGHT AND SHADE, OR CHIAROSCURO. 107 to draw all the details with care, in order to give it that degree of finishwhich alone can cause the eye to rest upon it with satisfaction. Withoutsuch care, the subject will appear bald and uncouth; and however truth-fully certain parts may be delineated, the…
Landscape painting · Watercolor painting
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