The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 131
LIGHT AND SHADE, OR CHIAROSCURO. 109 whole mass being in this instance relieved from the bright light in thesimplest manner, giv-ing at once quietness,firmness, breadth, andsolidity to the picture.The sun being behindthe ruin, his beamsappear to break thestraight edge of thewalls, and,…
Landscape painting · Watercolor painting
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