The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 132
each side, as in Fig. 25,it will be advisable to vary the effect by placing the darkest mass con-trasted with the largest and brightest light on that side to which the atten-tion is to be directed. If, at the same time, additional interest be created by the presenceof one or twofigures, whilethe…
Landscape painting · Watercolor painting
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