The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 134
ffect may also be obtained bychoosing a different time of day. Objects of uncouth or difficult form maybe united by some general effect, so as to dispense with a portion of theiroutline: in this way parallel lines may be discarded, and others obtained unequal in size, andHI varied by the… … Fig. 29. tones, otherwise it might lead to a mannerism which, being contrary to 112 LANDSCAPE-PAINTING. the variety and simplicity of nature, is usually distinguished as a trickystyle of art. In Fig. 29, great breadth is gained by placing light upon light, anddark upon dark, with a large portion of…
Landscape painting · Watercolor painting
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