The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 159
sun, take up water and reduce the strength of thecolour until under the blue it becomes scarcely perceptible; the tone the same way,only that it is increased in strength until it reaches the boundaryline. Should the cadmium appear too strong or positive near the sun, and notquite bright enough,… … will then be in proportionof the mark 1. If this is notregularly gradated, or not suf-ficiently powerful, it can be repeated, or when quite drywashed over with pure water,and equalised by washing- some portions more, someless. Then take pure water inyour brush, and introduce therose madder No. 2,…
Landscape painting · Watercolor painting
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