The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 165
h for Eomanochre; sometimes tinged with citrine, so as to be like raw sienna. Cad-mium sometimes too much resembles chrome; it should be far moreluminous for its strength. Eed, again, may be too yellow, too much likelight red. Hose madder will appear pink, and very opaque and feeble. Allthese… … DESCRIPTION OF PLATES. 135 concentration of this or any of the other examples at once, he must leave itto dry, and proceed with Nos. 4, 5, 6, which do not touch the first; thenhe takes the next row but one, raising a row each time to avoid their run-ning into each other. When he has obtained the…
Landscape painting · Watercolor painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Picturesque Tour from Geneva to Milan, by way of the Simplon: illustrated with thirty six coloured views ... engraved from designs by J. and J. [or rather, G. and G.] Lory ... and accompanied with particulars historical and descriptive by Frederic Schoberl. [With a map (1820)](https://img.insideoutlibrary.com/img/200/bl-bl_001388488_0-212-1.webp)
