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The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)

Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 185

An illustration from The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts, 1871, leaf 185
st during the process of the study. As the mode of working the flat washes constituting the commencementof skies, clouds, &c, has been described in the previous section, it will onlybe necessary to add, that the aerial tones will be more easily producedwhen the student, having returned to his… … LKIOtnoS, IIUOTIiKIll. PLATE 10. SKY, ATMOSPHERE, CLOUDS. 153 at pp. 116 and 135. This should not, however, preventhis attempting toimitate the tones of nature at the time his sketch is taken; he can supplydeficiencies in the execution hy the addition of written notes on the backof his sketch. The…

Landscape painting · Watercolor painting

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