The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 227
tion which,if taken away, would not merely let in more of the view, but admit it in ahappier manner in point of composition ; and whoever has felt the extremedifference between seeing distant objects, as in a panorama, without anyforeground, and viewing them under the boughs, and divided by the… … BUILDINGS, RUINS. 185 The colour of buildings has next to he considered; and this, of course,varies with the materials of which they are built, from the light and brokenyellow of stone to the deep red and brown of bricks and tiles. The warmgray, varied by broken colours of still greater warmth, is…
Landscape painting · Watercolor painting
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