The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 232
madder, withFrench blue, are also useful mixtures. Sometimes in shadows these coloursmay be varied, and more warmth and transparency given by delicate glazingsof raw sienna, or brown pink; or a portion may be rubbed off, and a warmglazing added instead. Thatch partakes of the colour of straw,… … often consti-tute, either in large masses or broken fragments, agreat proportion of the picture nearest the specta-tor ; the study of their forms and structure, therefore,is intimately connected with that of foregrounds.Skelwith Force. Careful examination and copying from nature will he the best…
Landscape painting · Watercolor painting
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