The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 240
p;c. are added they appear much lighter. By putting in largemasses of colour with boldness, feebleness and dryness of style are avoided,the general effect is at once produced, and great breadth is the result. Theshadows and markings should, when the first tint is dry, be done withtransparent… … ROCKS. 197 raw sienna and brown madder, or Indian yellow and Vandyke brown, orbrovm pink. Care, however, should be taken to avoid blackness and cold-ness in making these additions. Should the shadowed side appear to wantreflected light, a portion of the first colour may be rubbed off, and someother…
Landscape painting · Watercolor painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
