The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 249
our of the bottom; for the eye, when looking down onany lustrous object, sees colours very differently from what it does whenlooking along its surface. The first tint should be rather gTayer than thegeneral tone, it will better represent the cool reflected lights of the sky andclouds; and when the… … SIUEI 1D3F STATES* WATER. 203 colour, either contained in the water or transmitted through it from reflectedlight, requires; thus he may in general substitute raw sienna for yellowochre, and brown madder for Indian red. Cobalt may still be used exten-sively for all the first tones; but French line,…
Landscape painting · Watercolor painting
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