The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 285
asthe former class, and generally confined to the edges of the clouds fromwhich they appear to proceed. Thirdly, he mentions concentrated massesof light, termed globular lightning, which seem to occupy time, to endurefor several seconds, and to have a progressive motion. After clouds and rain,… … PICTORIAL PHENOMENA OF NATURE. 235 By the assistance of mists, the great difficulty that the painter feels inrepresenting distances may in some measure he overcome; by them lightsand shadows are reduced, and minute details of masses lost, thus causinggreater breadth, and adding to the size of…
Landscape painting · Watercolor painting
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