The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 298
e lake, form a good tone forobjects in shadow, also purple or brown madder with indigo; and the greenof trees or grass with brown pink and indigo, with crimson lake or purplemadder. But notwithstanding our anxiety to preserve light in our picture,we must not forget that if a moonlight view is hung… … HERE are but fewscenes in nature,however beautifulthey may be, upon whichthe eye can rest with conti-nued pleasure unless they ex-hibit some signs of animatedlife; consequently few land-scapes are complete withoutthe introduction of figures oranimals—some objects in hu-man form, or animals…
Landscape painting · Watercolor painting
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![An illustration from Picture Posies. Poems chiefly by living authors, and drawings by F. Walker, J. W. North, A. B. Boughton [and others] ... Engraved by Dalziel Brothers (1874)](https://img.insideoutlibrary.com/img/200/bl-bl_002911096_0-146-1.webp)
