The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 336
on the figure ; the brightest and most advancing about thehead, where they are contrasted with white and black. The whole mass issurrounded by cooler tones, which are brought to a focus on the jug. InFig. 4, the arrangement of colours is reversed, the cool being kept in a massin the centre,… … CONTRASTS OF COLOUR. 273 of them with others known to increase their power in consequence of thecomplementary action,—attention must be paid to preservation of breadth;avoiding, however, insipidity and dullness on the one hand, or crudeness andvulgarity on the other. One important point ought to be…
Landscape painting · Watercolor painting
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