The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 342
s might show itself with all the primary coloursplaced in a pure state on his canvas; or, if he steered clear of this Scylla,he might fall into the Charybdis of violent and incongruous discords. Toavoid this, let him give the subject steady thought and careful attention,and follow it up with a… … handling ofthe brush and ^/ mode of working employed by water-colour artists have been noticed in for-mer parts of this treatise ; a few remarks-J*— on this style, which it is supposed the reader has chosen in order to carry out his views of nature and art, may be hereadded. The mode once adopted,…
Landscape painting · Watercolor painting
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