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The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)

Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 58

An illustration from The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts, 1871, leaf 58
nly light admittedto the interior of which came through a small upper window; and thus,being left to study the effect of concentrated light, he ever after treatedoutdoor as well as indoor subjects in the same manner. On the otherband, for illustration of breadth obtained by the introduction of… … llembrandt. Turner Breadth of Tone is obtained by placing not only the primitive but thesecondary colours, and primary hues, in such relative positions that the eyepasses on without any sudden interruption. Harmony expresses the arrangement of colours, varying in their propor- 42…

Landscape painting · Watercolor painting

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