The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 71
monises with it, isconstantly creating agreeable changes and gradations of colour. Thisalmost imperceptible alteration of colour is distinct from those morestriking oppositions called contrasts, and although not apparently so im-portant, should occupy the young artists most careful attention; he… … LANDSCAPE-PAINTING. SECTION II.—DESCRIPTION OF THEQUALITIES OF PIGMENTS. OLOURS, or pigments, as they are moreproperly called, are now prepared either in amoist or dry state. The moist pigments are soperfect in their preparation, at the same time soportable and convenient, that they are…
Landscape painting · Watercolor painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
![An illustration from The Fijiad; or, English Nights' Entertainments. (By an author of the Siliad [i.e. R. Emerson] and others.) (1874)](https://img.insideoutlibrary.com/img/200/bl-bl_001232881_0-81-1.webp)
