The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 87
ten repeated; as if so, it becomes unnatural and tricky.Chinese white in a pure state is rarely used even on the brightest object;to give it a sunlight appearance a little warm colour should be added. Rawsienna, having a rich sunny character, is very suitable for this purpose.The mode of adding the… … ON THE USE OF TINTED PAPERS. 67 the effect of roughness and variety in the texture. Lights on those parts ofold stone buildings, rocks, &c, which have the sunlight strong upon them,or come against the edge or shadow, may be painted with fulness anddecision, and afterwards softened by the…
Landscape painting · Watercolor painting
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