The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 98
so much that they will crack or peel of: in gene-ral, it will be found that all the light and delicate washes and tints willwant nothing more than the gum they are manufactured with. In thedarker tints or glazings we may use with discretion the other vehicles thatare mentioned, keeping in mind that… … ^^-^HATEVER description of com-position may ultimately engage the^™ attention of the student, an intimateacquaintance with the fundamental principleswhich regulate every successful attempt of artin imitating nature, must he of the first importance. Consequently,before he approaches the more…
Landscape painting · Watercolor painting
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