s ofthe leaves, the hatching etc. are produced by the application of a dark composition. Fig. I. From the choir-stalls in S. Anastasia at Verona. „ 2. From the dado of the ve.stry-.shrines in S. Maria in Organo ibid.„ 3—7. From the choir-stalls ibid. „ 8. From the choir-stalls in Monte Oliveto… … Printed li.v Max Sceger, Stuttgart. ORNAMENTAL PAINTING p ITALIAN RENAISSANCE 48
Decoration and ornament
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