i;ifepolca 3 di cui fe n era perdura ogni memoria , e di cui xviii PREFAZIONE <3i cui fi potcva dire, come gia difle Seneca (i) inpropofito della Villa di C Ccfare ncl noftro Erco-lano: C Cafar VilUm in HercuUnenft $ukherrimam^qua mater fua Miquando in ilU cufiedita erat^ diruit^fecitque ejuj… … (i) De Ira Iib.3. cap.i^. I N- I N D I C E D F C A P I. P A R T E P R 1 M A.Dclla Fondazionc dErcolano. CAPO I. ChipAfistotnolfy €perchi c9sichi4mMf$. pag. tCap. II. Dell» venuta il^l.rcde Fenicii in Itiklin, <; Cap. III. DelU citta ^ M.rc9Ufn y 4 fu9 *diAienT.e * 17 Cap. IV. De/ia prima…
![An illustration from A critical examination of those two paintings on the cieling [sic] of the banqueting-house at Whitehall : in which architecture is introduced, so far as relates to the perspective : together with the discussion of a question, which has been the subject of debate among painters : written many years since, but now first published (1754)](https://img.insideoutlibrary.com/img/200/ia-criticalexaminat00high-15-1.webp)
