s can furnish us withthe secret of their fine composition ; there isno limit to the variety of his inventions, andyet they are all his : one can only say that thiswas how he imagined such an idea, that he feltit should be expressed in such a way. Onecan say no more of Michelangelo, of Rembrandt,or… … Invention 69 that we should copy his gestures or groups,but we should study them. He had an un-equalled power of realising his subject in itsessentials, and expressing the action of eachindividual figure in it, in itself and in its relationto the other figures of his group. And hisaction is always…
Art
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