e have to learn, and thatthe problem of representation was a more simpleone for them ; we may make every allowancefor ourselves, yet we must acknowledge that themen who were able to work in this way werevery great masters indeed. Tempera painting is hardly practised now,and indeed all this early… … Quality in Colour 153 simplest and most definite form, the underlyingthing about all good work—that we must knowclearly what we want to do. And also, of course,we must learn how to do it. The old painters,as we may see from Cenninis book, laid thegreatest stress upon methods ; talent could lookout…
Art
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