ainter. His imagination governed his eyes,and he used his models only so far as they servedhis idea. This was not the case with Raphael,for although his work also refers to the mindfor its truth, it refers, I think, more to the eye.He was more in touch with the world, moreinterested in his fellows.… … Imagination and the Ideal 35 for no observation, no searching, could be closerand deeper than that of Michelangelo : but itwas, as it were, directed always to one figure,searching it to the uttermost. He did not, likeRaphael, express the relations of figures toeach other in a group, or the…
Art
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