Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 107
d shade and refer to yournote till you perceive clearly the variation of the tone andits signification. Figure 3 is what you have left out alongthis line. If, in this way, you treat all the blank and flatspaces you can find, you will learn a great deal more thanyou have by sitting stolidly at your… … An important quality frequently lost sight of is the flatnessof the curves and surfaces. This is the true quality ofwhich the flat and angular tendency produced by coarsely blocking in the shadows, and the qualities pointed outin the two sections above, are pervertions. This quality is exaggerated…
Composition (Art) · Drawing · Painting
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