Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 147
s and shadowsrender these matters unnoticeable to you, and so you leavethem out, and the result is something that is not alwaysdrapery. Here is an example of this, and another of thestyle of work which should help you to correct such errors. The student very often thinks this roughness of details… … speedy in regard to texture than 1 : but it is much moreintelligible also. One could more easily make a highlyfinished drawing from the matter given by 3, than from thematter given by 1. The student should learn to draw some of the differentkinds of folds from memory: such for example as…
Composition (Art) · Drawing · Painting
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