Cook, Clarence, 1828-1900 · New York, S. Hess · leaf 480
nting, and secured an audience for anything that theartist might have to offer next. But that first success—counting the two pictures as one-has never been repeated. The other example we give, The Dispute, has many excellentqualities—it has clear story-telling, force in execution, and displays more… … I I ART AND ARTISTS OF OUR TIME. in to the merely liuman syinj)athies, as we find in the Wedding and the Baptism, whilethere was much to repel the lover of pleasing xjictnres in this bloody quarrel in a public
Painting · Painters
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