Fig. 270.—Paiutiiig at Thebes. From Piisse. careful study of it might well lead us to believe that its painterdeliberately set himself to cast off traditional methods, and toobtain all the effect that the skilful use of colour can give. Butthe seed thus cast did not spring up. Theban painting is… … lie:. 271. — Harpist. Viom the Dfsti i/iifi:. VOL. ir. V ^ The Figure. 347 that would be rendered in a more summary fashion by the chisel.The mandore player in Fig. 270, who comes from the samehypogeum at Abd-el-Gournah as the Amenophis III. upon theknees of a goddess in Fig. 24, is one of these…
Art
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![An illustration from Catalogue des monuments et inscriptions de l'Égypte antique / publié sous les auspices de S.A. Abbas II Helmi par la direction générale du Service des antiquités [de l'Égypte] ; par J. de Morgan, U. Bouriant, G. Legrain, G. Jéquier, A. Barsanti (1894)](https://img.insideoutlibrary.com/img/200/ia-cataloguedesmonu21egyp-203-373.webp)
![An illustration from Catalogue des monuments et inscriptions de l'Égypte antique / publié sous les auspices de S.A. Abbas II Helmi par la direction générale du Service des antiquités [de l'Égypte] ; par J. de Morgan, U. Bouriant, G. Legrain, G. Jéquier, A. Barsanti (1894)](https://img.insideoutlibrary.com/img/200/ia-cataloguedesmonu22egyp-116-256.webp)
