Hourticq, Louis, 1875-1944 · New York : Scribner · leaf 180
t any pre-tensions to elegance or correct-ness. Rarely admirable for theirskill, these works are alwaystouching in the pity that animatesthem. The naive and sorrowfulfigures are grouped solicitouslyround the dead, whose body isdimly seen in the background ofa low chapel, dark as a tomb.The most… … FIG. 325.—SEPVLCHHE in 1111. \lllil.SOLESMES. ART IN FRANCE ■l . 1 Ttt ■.Iliffli: ilP^ ^ 1 FIG. 326.—THE CALVARY AT PLEYBEN. dates, no doubt, from the close of thefifteenth century, and shows morethan one pilaster in the Italian manner.But these borrowings are applied,not assimilated; the artisi…
Art
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