Hourticq, Louis, 1875-1944 · New York : Scribner · leaf 337
gonards elabo-ration, renouncing fanciful acces-sories, purifvinghis line, informinghis work with gravity, and givingearnest attention to the model.The crisis of austere idealism hadbegun. But David was no meretheorist; he was a painter whoseartistic vision was keen and vig-orous, an honest and… … 11;. (157. i.fK\Kl>. MMI . kf. VMIl K. (The IVelVclurc do la Seine, Paris.)(Photo. Neurdcin.) THE NEW CLASSICISM Hki.^ ; -^y^f^ ^ mi FIG. 658.—DAVID. THE DISTRIBUTION OF THEEAGLES. (Museum of Versailles.) majesty and serene nudity beneath the furbelows of fashion. He professed to paint entirely…
Art
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