Artist and public, and other essays on art subjects (1914)
Cox, Kenyon, 1856-1919 · London, G. Allen & Unwin ltd · leaf 110
aster of painting as of drawing.He did not see nature in blue and violet,as Monet has taught us to see it, andlittle felicities and facilities of rendering,and anything approaching cleverness orthe parade of virtuosity he hated; buthe knew just what could be done withthick or thin painting, with… … O 35 JEAN FRANCOIS MILLET use, and there is no approach to indis-criminate or meaningless loading. Thingsare where they are for a purpose, and ifthe surface of a picture is rough in anyplace it is because just that degree ofroughness was necessary to attain thedesired effect. He could make mere…
Art
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