Artist and public, and other essays on art subjects (1914)
Cox, Kenyon, 1856-1919 · London, G. Allen & Unwin ltd · leaf 114
vations that we must otherwisehave missed, and many of these are ofthe highest value. His long training inseizing the essential in anything he sawenabled him, often, to put more meaninginto a single rapid line than anothercould put into a days painful labor, andsome of his slightest sketches are… … JEAN FRANCOIS MILLET that everything he touched is a completewhole—his merest sketch or his mostelaborated design is a unit. He has left nofragments. His paintings, his countlessdrawings, his few etchings and wood-cuts are all of a piece. About everythingthere is that air of finality which marksthe…
Art
Internet Archive · Public Domain Mark 1.0. Free to use for anything.
