Artist and public, and other essays on art subjects (1914)
Cox, Kenyon, 1856-1919 · London, G. Allen & Unwin ltd · leaf 154
tondo, but for their situ-ation, marking the principal axes of theroom, there is no way so adequate asthis. As Mr. Blashfield has said, speakingfrom experience: When a modern painterhas a medallion to fill and has tried onearrangement after another, he inevita-bly realizes that it is Raphael who… … \Awrm; Plate 11.—Raphael. Poetry. In the Vatican. RAPHAEL tion of Raphaels comprehension of es-sentials in composition. Not only so,but the modern painter finds as inevita-bly that, accepting this ordering as thebest, even then he cannot add anotherfigure to these four. He may, perhaps,draw it…
Art
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