Long, Samuel P · Boston, Lee and Shepard; New York, Lee, Shepard, and Dillingham · leaf 124
eneral light and shadow. There were doubtless many other ways of managing the lightand shadow on Rembrandts painting of The Woman Accused,but none, we apprehend, more pleasing to the eye, and so pro-ductive of breadth and that repose befitting so grave a sub-ject. Again, it may be asked if it is… … W^ma^^a^^yyJ^^fy J^-^^^ -^^^ ■Z^l^cJcV^- Of TBB^- CHIARO-OSCURO. 81 ing, from his neglecting to unite the assemblage of figures by acommanding mass and allowing exj^ression to preponderate atthe expense of everything else, has in it little that is attrac-tive to a mind unqualified to penetrate the…
Aesthetics
Internet Archive · California Digital Library · Public Domain Mark 1.0. Free to use for anything.
